Modes of Use > Full Mode With Depth and Stencil > A. Solid object layering using depth, and blue in the stencil

In these examples, if we were to composite multiple real-time feeds instead of with playback media, then a stencil would be required for each real-time feed. The illustrations here are deliberately flat and simple for clarity, but they are followed by a real-life worked example.

Playback: a street scene

Image sequence RGB layer	Image sequence depth layer

Real-time asset: an opaque kite

Video feed RGB layer	Video feed depth layer	Video feed stencil layer (uses blue for alpha)

Output: in the composited scene, the kite flies between tree and houses

Compares depth: which pixels are in front?	applies stencil (blue for alpha)	composites playback and real-time assets for output